More Exterior Color Options

Sunday, June 7, 2020

After my last post, I went through the Benjamin Moore historic color palette and then drove through town looking at other historic houses from the same era to make sure I hadn't missed any potential color combinations for our exterior. These are the results of that exercise.

Caldwell Green

Coventry Gray

Newburg Green

Knoxville Gray

Jamestown Blue

Hale Navy

There are colors we are certainly leaning toward, but every day our mood changes and the order of preference seems to change. While we love the Hale Navy, one worry is that it might be too much. Our kitchen is predominantly that color and I just don't want our house to be flat. Like, is it overboard?

As an aside, I love this sketch I created in Photoshop. I may plug in our current colors and get a print out of it to hang up somewhere so we can always remember the glowing gold that our house was when we bought it. (Like we could ever forget.)

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Exterior Paint Color Options

Thursday, June 4, 2020

We're in the process of getting a new roof put on the house, and in the course of the work, we've discovered there was a lot more rot to the maroon fascia and trim on our house than we knew about, which resulted in the crew needing to replace much of it around the roof line. We've also noticed several boards rotted beyond repair on the yellow portion of the house. I'm a great believer in restoration when possible, but like I said ... beyond repair. What this means is we're in the market for new cedar siding and an all over paint job sooner rather than later (we knew we were going to have to tackle this at some point ... we just didn't want that point to be now). And that means I can start thinking about COLOR SCHEMES. I've made no secret of the fact that our McDonald's colored house wouldn't be my first choice when it comes to a home's exterior, and since we have to completely redo it anyway ... instead of just going with what was, we may as well get what we want. With that in mind, I've been playing around in photoshop to come up with a few options (please forgive my rudimentary skills in this area). As you'll notice, I've kept the maroon trim in each option. It turns out I rather like it. 


Dark Gray

Federal Blue

Dark Putty

Light Putty

Which would you choose?
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Update on the master bathroom

Sunday, May 31, 2020

Back in January, I posted about our master bathroom renovation. Since then, things have come a really long way. We've painted almost all of the trim (still have to do the windows), installed our bidet toilet seat (which, as it turns out, looks really funny on our slimline Kohler Valiant toilet, but I'm not about to get a new toilet so ...), and added the shaker pegs to hold our towels. We had to call a few design audibles along the way because of reasons (the mirrors are a prime example), but overall the design bears a striking resemblance to what we wanted. With the pandemic, we've had to hold off on getting our linen cabinet with laundry chute built, but it's on the list.

The only major problem we've encountered is all the defects in the vanity we purchased from Houzz. Our contractor tried to fix the broken door with the paint sample the manufacturer sent, but it's really just lipstick on a pig. The only way to "remove" them, is to fill them with wood filler and paint the whole damn vanity. And if I'm going to do that ... 

I've been thinking about maybe adding some more color in here. I had intended to add color, depth, and texture with my decor, but no one sells the bamboo blinds I wanted to use anymore because of the cords, which means the rest of my design idea in here is shot too. Now, I'm thinking of going in a new direction.


(studio mcgee)

And if we're going this route, maybe add in some brass hardware beyond just our light fixture? I'd wanted to change out the hardware anyhow since it's kind of ugly, so this could be my opportunity to do that. I'm terrible about mixed metals, so I'm not sure how it'd look with our chrome fixtures and mirrors and then brass hardware and chandelier. I guess I could buy them, and if it doesn't look good, just return them? Must give this some more thought.
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On Food Tours While Traveling

Tuesday, April 28, 2020

Michael Ruhlman is one of our nation's great food writers. I also enjoyed reading his memoir HOUSE, about he and his wife's house in Cleveland Heights. I've always found him down to earth and relatable -- despite the fact that he's written some of the most iconic cookbooks you'll find on shelves and has worked with several of the world's best chefs. I probably wouldn't have called him a snob, but then, I wouldn't call *me* a food snob either ... and yet others have.

My point here is I found his New York Times article not only fascinating, but also indicative of the type of experiences we've tried to capture on our travels. We haven't always done food tours on our trips, but we started actively seeking them out after a particularly amazing experience with Maya of Venice Bites Food Tours back in February 2016. Since then, we've had many more terrific experiences in Munich, Copenhagen, Prague, Bordeaux, Tuscany, Florence, and Old San Juan, Puerto Rico.

Honestly, I don't know that our trips to these places would have been half as enjoyable had we not done these small group tours. Our goal on any trip now is to book a food tour our first night in a location so that we get the lay of the land and learn about the city through its food. Then, we can use what we learned that evening (or afternoon) to eat our way through a city for the remainder of our duration there. In Venice, we learned how to order cicchetti, in Munich we went off the beaten path to discover a beer garden for locals, in Prague we learned about "milk" and why it's so important in Czech beer, in Copenhagen we had another unintentionally private tour that included craft beer, porridge, and cheese. In Bordeaux, we visited a boulangerie, fromagerie, and a chocolatier. Every city, a new, highly tailored local experience. Every city, new flavors to enjoy and savor.

And one of the single greatest meals of our life was a truffle hunting excursion in San Gimignano when we were in Italy in 2017 for my 40th birthday. It turned out no one else had booked so we had a private experience with our guide Massimo, and the truffle hunter Fillipo and his dog Birba. Massimo's English was about as good as our Italian, and Fillipo spoke no English except to say, "California ...." and shake his head. But the multi-course truffle feast we had afterward at a nearby agritourismo was unlike anything we'd ever experienced before, and we never would have had we not booked a local food tour.

My only regret is that we didn't start doing these until 2016, because our couple of days in Budapest in November 2015 prior to our Christmas Market Cruise would have been an epic way to see the city. As it was, we did wander around their historic indoor market, but it just wasn't the same as learning about the food, spices, and people from someone local.

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Rethinking our range alcove design

Saturday, April 11, 2020

Our hearth skeleton was erected just before we went on vacation, and then COVID came and we became pros at self-quarantining—including putting this project on hold. Initially I was upset because it was another delay, but it’s actually proven to be a blessing in disguise since it turns out that while we *loved* our hearth in Dublin, we aren’t loving it now.

I think it’s because in that house I had a huge island directly behind me where I could easily transfer items to while prepping and cooking, and that is obviously not the case with this set up. This design has changed so dramatically since we first started planning this remodel that it occurs to me now that I hadn’t really thought through how using the peninsula as prep space would function. Or rather, not function. Moving from there to the stove with the "walls" of the alcove is a huge old pain in the keister—especially when cooking with heavy Le Creuset pots and pans ... which is what we predominantly use. 

While I would normally feel terrible telling my contractor that we’ve changed our minds and want to explore other options, the right pillar as it was built is actually crooked and therefore needs to be rebuilt anyway, and the vent isn’t properly screwed into the left side so that needs to be addressed as well. Basically, whenever the world gets back to normal, the whole thing has to be substantially altered so there’s no better time to to be having a change of heart.

And speaking of my heart. Every time I think about what we started out wanting and what we ended up getting, it hurts just a little bit. We really spared no expense when it came to this remodel, and given that we're not ending up with anything close to what resembled the kitchen of our dreams, I get heartsick just thinking about it. At least once a day I think about what we could have done differently and the list is loooong.

But, since this is where we are and what we have to work with, I started trolling Houzz and Pinterest to come up with alternatives that didn't dramatically alter the footprint of what we're already working with. These were the two images that most resembled what I think is our best attempt to address the inadequacies of our initial design. We'd still have a large edifice covering the industrial vent, and we'd still make use of the beams were purchased at salvage.

While it's all well and good to look at pictures online, it's a whole other thing to implement them in your own space -- something we've learned the hard way at every turn. With our pitched roof and bank of windows, our kitchen has a different layout than the ones above, so I took a moment to put together a mock-up in Photoshop of what something like this could potentially look like. I don't hate it. (But do I love it? Honestly, I don't know the answer to that question.)

I feel like at this point, no matter what we end up with on this wall, I'm forever going to look at it and realize that nothing turned out the way I'd initially envisioned and the only person I have to blame is myself. When we started tearing down walls and we unearthed that original beam, we sacrificed the bulk of our design to preserve it (rather than tearing it out), and what was once a feature that made me excited is now something I can't look at without thinking it hadn't been there. 

All in all, it just sucks to have spent so much time, energy, effort (and money!) to look at a space and think, "I guess it's all right." 
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